Theatre

Chris was once sacked from a BBC TV series for writing a script that was ‘too funny.’ It was the best thing that could have happened to him because he went off and wrote the ‘heart-warming’ comedy; ‘Marry Me, You Idiot’ which opened at the Jermyn Street Theatre, London in 2002 starring Lynda Bellingham. He followed it up with ‘Playing Away‘ which premiered to great notices at Sadler’s Wells in London in 2005 and was revived at the Frinton Festval in 2011.

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lucifer                   marryme

PLAYING AWAY

IMG_0042     Elisabeth is at the centre of a love triangle. She has one lover in London, Roger Rodgers, and another life in Paris with paramour Pierre. But can she carry on having her gateau and eating it?

A comedy about men, women friendship and the love/hate relationship between the English and the French

Performed at the Lilian Baylis Theatre, Sadler’s Wells Roseberry Avenue, Islington London EC1 February 15th -March 5th 2005. Starring Philippe de Grossouvre, Trevor Sellers and Rebecca Thornhill. Directed by Thiery Harcourt.

Script

The play is published by Josef Weinberger Plays Ltd., London
ISBN 0 85676 285 7. Copies can be purchased from bookshops or direct from the publisher

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      The Script                              Trevor Sellers, Rebecca Thornhill

                                                         and Philippe de Grossouvre
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   Roger interviews Pierre                Roger picks his moment to propose

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             Three in a bed 2005

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 ‘The three’ in the Frinton Summer Theatre season August 2011

Damian Davis (Roger), Laura Wells (Elisabeth) and Philip Benjamin (Pierre)

Reviews

Chris Sykes’s elegant exploration of national stereotypes doesn’t take itself too seriously. Berets vs bowler hats, bouillabaisse vs spotted dick, ‘La Vie en Rose’ vs ‘Old Macdonald’ (don’t ask, it’s very funny) – no cultural cliché escapes inspection. The writing is crisp with a subtle use of rhyme and an exuberant delight in formal symmetries. The small cast certainly have fun with the playwright’s airy pattern-making – it’s also light that even the props, suspended from the ceiling, appear to float.

Robert Shaw Time Out

Elegantly directed.Delightfully written.

The Stage

Well-crafted by playwright Chris Sykes, Playing Away is a highly sophisticated comedy of manners. At the end of the day this is adult entertainment and by adult I mean written for grown-ups rather than soft-pornographic.

Peter Simpson What’s On in London

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A French flavour comes to Frinton for the last summer theatre show of the season as we take a glimpse into the double life of Elisabeth, in Chris Sykes’ “Playing Away”. “Les Trois Amoureux”, the name of the French bistro run by Pierre, Lisette’s Parisian lover, would be a suitable name for the play as we see Elisabeth’s twin lives intertwine ever closer, although “The Frog and Rosbif”, English lover Roger’s suggestion would be equally appropriate. The performances by the three actors are superb, portraying the stereotypes of each nation without crossing the line into the stereotypical.

The playwright’s use of rhyming couplets adds to the comic effect, and is superbly mirrored by the actor’s closing lines.

If you haven’t seen a show at the Frinton Summer Theatre, then I highly recommend you get down to this one

Will Lodge, Frinton and Walton Gazette,
August 2011    

Review  from Amateur Stage July 2006
…a sparkling comedy about men, women, friendship, and the love/hate relationship between the English and the French.

The three characters are well defined in the script. The play has three fairly flexible settings: Libby & Roger’s home in London; Pierre’s bar “Les Trois Amoreaux” in Paris; Elizabeth’s Office – London and Paris, and, wait for it – Eurostar – a train seat that transforms into a Car with two steering wheels, one left hand drive in London, one right hand drive in Paris and the final set is a Bed, half in Paris and half in London.

Oh, indeed it could be technically quite challenging, but I suspect that it is a play that could be a lot of fun for three actors in the thirty something age group.

MARRY ME, YOU IDIOT!

A story of obsession, jealousy, paranoia, betrayal and deceit. In other words, marriage.

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Adapted and directed by Chris Sykes from Molière’s The School For Wives.

Performed at Jermyn Street Theatre London, 23 April to 25 May 2002

Starring Lynda Bellingham

A modern role reversing adaptation in which Elinor Waugh is a New York feminist bringing up a boy to be a new man. Just as Molière satirised his time, “Marry Me, You Idiot!” is a perfect satire of today. MARRY ME, YOU IDIOT! shows the sex war can be fun. It is Nuture v. Nature with a real twist.

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Claire Andreadis and Lynda Bellingham

Reviews

‘Sykes’s enjoyable romp turns Molière on its head – the roles maybe reversed but the conflict remains in this perennial battle of the sexes.’

Sarah Willcocks The Stage

‘Heart warming . Sykes deviates from the original to offer a kinder treatment of age thwarting youthful passions in this fresh six hander that shows we’re all love’s idiots.’

Sarah Adams Time Out

THE GREAT LUCIFER

The last three months of Sir Walter Ralegh’s life as he struggles against fate and his enemies.

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Performed at The Old Fire Station, Oxford June – July 1998

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Reviews

“Racy, witty and compelling. An excellent play.”

The Oxford Times

“Brilliant, vivid and real, the flowing dialogue brings the era alive.”

Fox FM

“A study in betrayal. Carries historical and philosophical arguments to mull over.”

London Theatreviews

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Other Theatre work

  • The Sunday Times Oxford Literary Festival/Vodafone new writing event 2005 – ‘Mr & Mrs M’ – a 30 minute play in a reading by Sian Philips and Trevor Sellers, directed by Thierry Harcourt at the Oxford Literary Festival
  • The Sunday Times Oxford Literary Festival/Vodafone new writing event 2004 – directed Samantha Bond and a company of five actors in a rehearsed reading of two new plays for the stage by Simon Brett and HRF Keating
  • The Sunday Times Oxford Literary Festival/Vodafone new writing event 2003 – “3 Characters in Search of a Mobile Phone” directed Harriet Walter and a company of six actors in a rehearsed reading of four new plays for the stage by the finalists
  • 2001 ‘Marry Me, You Idiot’ – Rehearsed reading at The Criterion Theatre, directed by Anthony Marriot
  • 1995 ‘The Great Lucifer’ – Theatre Agog production at the Old Fire Station Oxford
  • 1995 ‘The Great Lucifer’ – rehearsed reading at The Oxford Playhouse by the Oxfordshire Touring Theatre directed by Daniel Buckroyd

Radio

1998 Sport in Books, 6 part series for BBC Radio 4, writer/presenter

A ‘fine literate series’

Gillian Reynolds in the Independent

‘erudite’

Frank Keating in the Guardian

  • 1997-8 BBC Radio Gloucester writer/presenter
  • 1997-8 BBC Radio Thames Valley writer/presenter
  • 1997 ‘Ways To Write’ Series of 5 programmes on writing for BBC Radio Thames Valley
  • 1995-1996 BBC Radio Oxford writer/presenter

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